Board of Directors
PRESIDENT — Frank Gladstone: Frank Gladstone has been working as a professional animator, producer, director, writer and teacher for nearly 40 years. From 1973 to 1989, he managed his own Emmy awardwinning studio, Persistence of Vision, producing commercials and educational films, and has since held management positions for Disney, Warner Brothers and DreamWorks, among others. He is currently the CEO of his own company, Gladstone Film, consulting on animation, filmmaking skills and story structure at major studios world-wide. Additionally, Frank continues to teach about animation, film history, production techniques and cinematic fundamentals at studios, secondary schools, colleges and professional guilds around North America, in Europe, Asia and the Caribbean. Frank has served on the board of directors of ASIFA Hollywood and the Visual Effects Society.
VICE PRESIDENT —Jerry Beck: Jerry Beck is a well known animation historian and cartoon producer. His twelve books on the subject include The Animated Movie Guide, Looney Tunes: The Ultimate Visual Guide and The 50 Greatest Cartoons. He is a former studio exec with Nickelodeon and Disney, and is currently a consulting producer to Warner Bros., Universal and Disney for their classic animation dvd compilations. Beck has programmed retrospectives for the Annecy and Ottawa Animation Festivals, The Museum of Modern Art and the Academy of Motion Picture Arts & Sciences. He has taught animation history at NYU, SVA, the AFI and UCLA. He is also the co-writer of the animation blog, Cartoon Brew.
TREASURER — Jeff Wike: Jeff is currently serving as Director of Research and Development for Dreamworks Animation in charge of the technology in support of previz, layout, character setup and animation. Jeff joined DreamWorks in 1996 and has been credited on Shrek Goes Fourth, How to Train Your Dragon, Monsters vs. Aliens, Madagascar 2: The Crate Escape, Kung Fu Panda, Shrek the Third, Flushed Away, Over The Hedge, Madagascar, Shark Tale, Sinbad, Spirit: Stallion of the Cimarron, The Road to El Dorado and The Prince of Egypt. Prior to DreamWorks, he had an extensive career in technology developing software for the department of defense, NASA’s Jet Propulsion Laboratory, developing the first expert system to fly on the Space Shuttle, and leading many R&D projects for TRW in the area of 2D and 3D image processing, robotics and artificial intelligence. Wike received his Bachelor of Science in Engineering from the U.S. Military Academy at West Point and his Masters in Computer Engineering from the University of Southern California. He is an active member of the VES and has been on the board of ASIFA-Hollywood for the
past 4 years.
SECRETARY — William C. Turner: Bill Turner joined ASIFA-Hollywood as a student and a fan in 1978. Almost immediately he began volunteering, helping at Annie Awards, cel sales and anywhere he was needed. In the early 1990′s Bill was asked to join the Board of Directors as Secretary and to take control of the memberships. Since that time membership has grown from about 800 to over 4500.
Bill used the networking opportunities of ASIFA-Hollywood to land a job in animation in 1993, first as a runner, but soon moving into production as a coordinator, technical director and production manager. He has been happily and steadily employed by Walt Disney Television Animation since 1998.
David Derks joined ASIFA-Hollywood in 2003 due to his love for animation. After seeing opportunities within the organization he volunteered wherever he could and due to his efforts, he was elected in as a member of the board and was presented with a Certificate of Merit. Currently, David is working at Twentieth Television as a web producer. He was previously at ABC Studios and was involved with shows like Desperate Housewives, LOST, Alias, Grey’s Anatomy, According to Jim and Jimmy Kimmel Live, as well as television miniseries like Muppets’ Wizard of Oz and Stephen King’s Kingdom Hospital. Additionally, David is also producing animation for an independent film that’s currently in post production.
Tom Sito joined ASIFA*East in 1974, and moved over to ASIFA/Hollywood in 1982. Tom has been an animator at most of the major studios, and his credits include classics like Who Framed Roger Rabbit?, The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, Shrek and many more. Tom co-directed Osmosis Jones, he is president-emeritus of The Animation Guild Local 839. He teaches animation at USC, and as such he is a sought-after lecturer around the world. He is the author of two books: Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson and the animation chapter to the anthology Jews in Popular American Culture.
Tom became a member of the ASIFA/Hollwood board of directors in 1989, and was elected it’s vice president in 1992. He began by creating the ASIFA Evenings With series, where he interviewed past masters like Joe Grant. Dave Tendlar, Bill Melendez, and Maurice Noble. In 1990 he headed the creation of a 100th Birthday Banquet for Betty Boop creator Grim Natwick. This became a gathering of the legendary animation artists from Hollywood’s Golden Era. Tom Sito also started the Afternoon of Remembrance for the community to say goodbye to their departed colleagues, which has become an annual ToonTown tradition. He is a member of the SIGGRAPH Historical Committee, WIA, The National Cartoonist Society, and a founding member of ASIFA/Hollywood’s Animation Educators Forum. In 2010 Tom was awarded the June Foray Award for a lifetime of service to the animation community.
Danny Young joined ASIFA-Hollywood immediately after moving to Los Angeles in 2008 to pursue a career in animation. After volunteering in various capacities and demonstrating a sincere appreciation for the organization and its intentions, Danny was brought on to help fill a role in outreaching to the video game community. He has also co-established and continues to co-produce the ASIFA-Hollywood Animation Archive Podcast. Professionally, he has had the great opportunity to work on three feature films at Rhythm & Hues since 2008 and is currently realizing his dreams in commercial work at Blur Studios. ASIFA-Hollywood and projects like the Animation Archive have been instrumental in developing and encouraging his potential and have ceaselessly offered the inspiration and motivation to do so. He is more than happy to give back what he can.
Jamie Kezlarian Bolio has an extensive background in animation, having worked the bulk of her career in 2D feature animation. She has also worked in 3D, 2D/3D, 2D/live action, 3D/live action and has also completed her own stop-motion short film.
Since 2009, she has promoted (& was also a part of their respective Oscar campaigns) several European independent features, all of which have gone on to garner Oscar nominations: THE SECRET OF KELLS (Cartoon Saloon/GKIDS), CAT IN PARIS (Folimage/GKIDS) and CHICO & RITA (Estudio Mariscal, Magic Light Pictures & GKIDS). An additional 4 films have been added to her slate in 2012-2013 for feature film/award campaign promotion: ZARAFA (Pathe’, France/GIKDS), THE RABBI’S CAT (TF1, France/GIKDS), LE TABLEAU (Rezo, France/GKIDS) and FROM UP ON POPPY HILL (Studio Ghibli/GKIDS).
Jamie is also the LA-based producer for THE CURSE OF ST. TRINIAN’S, an animated project currently in development for Uli Meyer Animation Ltd., UK.
In addition, Jamie is ASIFA-Hollywood’s representative to ASIFA’s International Board of Directors.
Dori Littell-Herrick is the Chair of the Department of Animation in the School of Media, Culture & Design at Woodbury University. She returned to academia in 2005 after 28 years in the animation industry as an artist, production manager and creative executive. As an animation artist, her credits include Ferngully the Last Rainforest (Kroyer Films), National Lampoon Christmas Vacation title animation (Kroyer Films), The Little Mermaid (Disney Studios) and various commercials including iconic characters such as Trix Rabbit, Keebler Elves, Tony the Tiger, Dig’m the Frog, Raid Bugs and Snap, Crackle and Pop. As a production manager, Dori worked on Eight Crazy Nights (Sony), Jimmy Neutron: Boy Genius (Marina Motion), Osmosis Jones (WB), Quest for Camelot (WB), Aladdin Video Game (Metrolight Studios), Beavis and Butthead (Metrolight Studios), Ren and Stimpy (Metrolight Studios). As a producer in development at Warner Bros Feature Animation, Dori managed the creative development of feature films and short projects. She holds a Bachelor of Arts in Telecommunications from Indiana University and a Master of Fine Arts in Theater, Film and Television from UCLA with a concentration in animation. Currently she teaches the Junior Studio, guiding students through the collaborative process of creating a short film and taking it through production. She also co-chairs the ASIFA-Hollywood Animation Educator’s Forum.
Brooke Keesling is the Manager of Animation Talent Development for Cartoon Network Studios in Burbank. She works closely with the production of current series such as Adventure Time, Regular Show and Ben 10, and she supports the development of original content.
Prior to joining Cartoon Network, Brooke earned her MFA in animation at CalArts where she produced several films including the student Oscar winning animated short, Boobie Girl. For many years, she worked in practical visual effects on feature films such as Inception, Hugo, The Dark Knight and The Aviator. Passionate about education, Keesling is also an instructor in the Character Animation department at CalArts.
Charles Solomon has written on animation for the New York Times, TV Guide, Rolling Stone, Film Comment, the Hollywood Reporter, the Manchester Guardian, Amazon.com, and he’s a frequent quest on National Public Radio’s Day To Day.Â The cartoon on the right, by Pres Romanillos, refers to his column in the Los Angeles Times. Solomon’s writings have appeared in publications beyond our borders; in Canada, France, Russia, Britain, India, Taiwan, Israel, the Netherlands and Japan. Plus, Solomon has written several fine animation books, including; Enchanted Drawings: The History of Animation (1989, reprinted in 1994), The Disney That Never Was (1995), The Prince of Egypt: A New Vision in Animation (1999), and Disney Lost and Found (2008). Enchanted Drawings was a New York Times Notable Book of the Year and the first film book to be nominated for a National Book Critics Circle Award.
Solomon has also done animation programming for the Academy of Motion Pictures Arts and Sciences, the 1984 Olympic Arts Festival, the Los Angeles County Museum of Art, and the Annecy, Ottawa and Sundance international film festivals, as well as lectured on animation history and aesthetics at UCLA, USC, CalArts, NYU, the School of Visual Arts, CSU San Bernadino, the California Academy of Science, The Walt Disney Studios (Los Angeles, Orlando and Paris), PIXAR, Turner Animation and DreamWorks Feature Animation and now an interview with Toon In to the World of Animation.
Mark Walton was employed at the Disney Studios in 1999 on Tarzan as an additional writer. Throughout the 2000s, he became a storyboard artist on Home on the Range, “The Zit” for the TV series, Independent Lens, and Return to Neverland, and 101 Dalmatians II: Patch’s London Adventure, and Chicken Little, and Bolt, and Meet the Robinsons. In 2004, he started his voice actor career on Home on the Range as Barry & Bob, the Longhorns. The next year, he was the voice of Goosey Loosey for the computer-animated film, Chicken Little and its video game. In 2008, he was the voice for Rhino the hamster in Bolt for which he was nominated for an Annie Award for Voice Acting in a Feature Production, and the short film spin-off Super Rhino.
Attorney B. Paul Husband joined ASIFA-Hollywood as an animation fan in 1990. He participated in presenting programs at ASIFA-Hollywood meetings and functions such as the Animation Opportunities Expo and in the ASIFA-Hollywood portions of the World Animation Celebrations. Inspired in his participation in the world of animation by his association with ASIFA-Hollywood, in 1995 he co-founded AniManagement LLC, a talent agency devoted to serving artists and writers involved in animation. He worked in the animation field as a licensed talent agent until 2000. He continues to represent producers, directors, artists and writers as an entertainment lawyer. He has also been involved with the Annie Awards in multiple functions, including as a judge in several categories over the years. In the early 1990s he began attending to the legal needs of ASIFA-Hollywood as a volunteer. In 1997, he formed ASIFA-Hollywood’s sister organization, the ASIFA-Hollywood Animation Aid Foundation. He also served as a Director of ASIFA-Hollywood from 1995 until 2000. In 1998, Mr. Husband was honored by receiving the ASIFA-Hollywood Certificate of Merit. Paul has served ASIFA-Hollywood as General Counsel since 2000.